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Posts Tagged ‘blues’

RECORD STORE DAY: BLACK FRIDAY 2017 TOP TEN: PART 1

November 23, 2017 Leave a comment

by Mat Weir

 

got

              10. GAME OF THRONES SOUNDTRACK — PICTURE DISC

         Okay, I’m kicking this off with a gimmicky picture disc. But for all you purists, cynics and elitists out there: GET OVER IT. After a decade of RSD releases, you need to accept the fact that gimmicks are part of the fun. So don’t be a wretched ol’ White Walker. Why not buy one of the best soundtracks from one of television’s hottest shows, and have some rad art in the process?

 

death

    1. DEATH FROM ABOVE — FREEZE ME/KEEP IT REAL DUMB 7”

    Death From Above (re: Death From Above 1979) has earned themselves a bit of a cult following over the years. In 2002, Canadian duo–Sebastian Granger and Jesse F. Keeler–released their debut release, Heads Up, to minor success. Two years later they began recording their debut album, You’re a Woman, I’m a Machine, and released it with major, underground success. Their minimalist sound is thick as gravy and boiling hot with blues riffs covered in post-rock music. But in 2006 they disbanded, leaving fans to cling to their record. In 2011 they reunited but it wouldn’t be until this year that they would drop a second album, Outrage! Is Now. This 7” is the single and B-side to that album.

     

  1. high
    1. HIGH TIMES : SMOKE SIGNAL SONGS FROM THE MOTHER PLANT

    Every stoner has their 420 playlist. Music sites and apps like Spotify, Pandora and iTunes have made it easy to throw hundreds of fire tracks into a playlist that will keep you lit all night. But for those of us who like to spin wax, making a playlist ends up with a stack of records and constant flipping or changing, totally harshing the vibe. Thankfully, this Black Friday, High Times Magazine has released a comp of sweet, stoney tracks to keep the party going and the smoke floating featuring Damian Marley, Action Bronson and more.

  2. hooker

 

  1.       7. JOHN LEE HOOKER — BLACK NIGHT IS FALLING
  2. I love me some John Lee Hooker. He was one of the first blues musicians my dad got me into and one that remains near and dear to my heart. This is a killer live recording from the Rising Sun Celebrity Jazz Club (Montreal) in 1977 when Hooker was still cookin’. Featuring staples like “Boom Boom” and “One Bourbon, One Scotch, One Beer,” this is the perfect LP for Hooker fans to spin AND for noobs to check out to get a taste of the blues master.

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    1. REVEREND PEYTON’S BIG DAMN BAND — 16 TONS 7”

    For almost two decades Reverend Peyton’s Big Damn Band has breathed new life into American blues, country and bluegrass. With a voice as thick as mountain mist, the Reverend, his wife–”Washboard” Breezy and drummer, Max Senteney, bask themselves in the rays of all blues genres and cultivate original tunes chock full of wholesome goodness. This Black Friday, don’t miss out on their cover of Tennessee Ernest Ford’s classic, “16 Tons,” for a rootsy sound about Capitalism’s exploitation of the working class. What’s more American than that?

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The Rolling Stones and the Blues

December 19, 2016 Leave a comment

StonesBlueandLonesome.jpg

Fresh off the press, Blue & Lonesome, the first studio album from the Rolling Stones in over ten years. The album sees the band returning to its blues roots, a passion that, according to the Stones’ website, “has always been at the heart and soul of the Rolling Stones.” The album features tunes by blues legends, including Jimmy Reed, Willie Dixon, Eddie Taylor, Little Walter and Howlin’ Wolf.

Recorded in just three days in West London’s British Grove Studios, Blue & Lonesome was a departure for the band, in terms of the recording process:

“[The band’s] approach to the album was that it should be spontaneous and played live in the studio without overdubs. The band – Mick Jagger (vocals & harp), Keith Richards (guitar), Charlie Watts (drums), and Ronnie Wood (guitar) were joined by their long time touring sidemen Darryl Jones (bass), Chuck Leavell (keyboards) and Matt Clifford (keyboards) and, for two of the twelve tracks, by old friend Eric Clapton, who happened to be in the next studio making his own album.”

As co-producer Don Was explains, “This album is manifest testament to the purity of their love for making music, and the blues is, for the Stones, the fountainhead of everything they do.”

Here’s the tracklist:

  1. Just Your Fool
  2. Commit A Crime
  3. Blue And Lonesome
  4. All Of Your Love
  5. I Gotta Go
  6. Everybody Knows About My Good Thing
  7. Ride ‘Em On Down
  8. Hate To See You Go
  9. Hoo Doo Blues
  10. Little Rain
  11. Just Like I Treat You
  12. I Can’t Quit You Baby

Sunday Morning Music: Billie Holiday

September 16, 2012 1 comment

A few Sunday morning songs from a woman who was fast friends with the blues, Billie Holiday.

Reverend Peyton’s Big Damn Band – Peyton on Patton

September 5, 2011 1 comment

by Mat Weir

“Hot Damn and hallelujah! Grab me some snakes ‘cause I’m about to speak in tongues!” Or, at least, that was my first reaction to the new album by Reverend Peyton’s Big Damn Band, Peyton on Patton. Most of my co-workers reactions were to snicker at Peyton’s nasally voice, but more of that later.

Since the early 2000s, the powerful three-piece Americana-country/Delta blues band has been traversing the dusty roads preaching its blend of teachings with Josh “The Reverend” Peyton finger pickin’ & slidin’ the National Steel and occasional three-string cigar box guitar (no, he’s not a real Reverend though he is a Kentucky Colonel) with his wife, Breezy Peyton, on the washboard. The Rev’s cousin, Aaron “Cuz” Persinger, has played drums and the five gallon bucket (oh yeah, that’s the Big Damn Band getting REAL on your ass) since 2009 when Peyton’s brother, Jayme, left.

However, Peyton on Patton isn’t your typical Peyton album. Just as the name suggests, it delivers 13 tracks of 10 different Charlie Patton covers—“One of These Days” is covered in three separate versions (Josh “The Reverend” loves this song so much he originally wanted to release an entire album of different versions; thankfully he didn’t.). Patton, the legendary Mississippi Delta bluesman who grew up on Dockery Plantation (the same powerful place where the other saint of bluesdom, Robert Johnson, would receive his first guitar and where John Lee Hooker & Howlin’ Wolf would fall in love with Patton’s recordings), was such a huge influence on Peyton that the Reverend took painstaking care in trying to recreate the Father of the Delta Blues’ sound. Not only was the album recorded through one microphone in one day, but Peyton meticulously restrung his guitar with material closer to what Patton would’ve used in order to get the twang just right. While this minute detail might easily be written off as the half-crazed thoughts of an obsessed guitar player, the pay-off is more than worth it.

Peyton on Patton is an album chock-full of rich, finger-pickin’-lickin’ gems. Though most of the recordings are just of Reverend Peyton playing guitar, the Big Damn Band does make appearances on select numbers; Breezy singing duet/back-up vocals and Cuz playing a 100-year old tobacco barrel. But the true meat of this album is Peyton’s reverence to his hero. In the liner notes, the Rev. mentions that the first time he ever heard Patton he was blown away at how Patton made one guitar sound like two. Songs like “Jesus is a Dying-Bed Maker” and “Mississippi Boweavil Blues” are perfect examples of what he means and evidence of the talent both men possess as high-note picking is carried by the rhythmic thumb-plucking for a sound that will have your head swimming. As with most music of the time period, Charlie Patton’s songs were designed with a time signature for people to clap along with. However, he would kick it up a notch with songs like “A Spoonful Blues” that the Big Damn Band plays so fast & heavily that it almost sounds distorted and you can’t help but stomp your feet. Also included is my personal favorite Patton number, “Elder Green Blues;” a slow to mid-tempo ditty about a Churchin’ man going down to sin city New Orleans. With lyrics like, “I love to fuss ‘n fight/Lordy get sloppy drunk off a bottle ‘n ball/and walk the streets all night,” it’s hard not to picture Patton as the O.G. rock & roller, raising hell like it was 1929.

As I mentioned at the beginning of this piece, it should be said that Peyton’s voice is pretty unique and often comical, especially to those who might be unfamiliar with the band or style of music. However, by the third or fourth song the brain catches on and your feet will be too busy stomping along for your grey matter to even notice.

This is the perfect album for any Delta blues fan and a great beginner for anyone who might be into the alt-country/folk-punk scene but hasn’t dug into its musical roots. Available on CD, LP and limited edition 78rpm vinyl, this is the cleanest you’ll hear Patton with some of the closest reproduction in sound you’ll find besides going directly to the source. For a man who left this world virtually penniless, without fame and not even an obituary in the paper, Peyton on Patton proves that artists never truly die.